Turtle Beach has announced the Stealth Pro II wireless multiplatform gaming headset, succeeding the original Stealth Pro. The flagship peripheral features 60mm Eclipse dual drivers and is certified for 24-bit/96kHz Hi-Res Wireless Audio. It is scheduled for release on May 17th, with pre-orders now open.

Available in black (PC and Xbox) and white (only Xbox), the Stealth Pro II headset uses a 2.4GHz ultra-low-latency connection and supports simultaneous Bluetooth for mobile devices. Turtle Beach confirms the inclusion of CrossPlay 2.0 technology, which allows users to switch between up to 4 platforms via a dedicated transmitter dock. The Xbox model supports Xbox Series X|S, Xbox One, PS5, PS4, and PC, while the PC version is compatible with PlayStation, PC, and mobile systems.

For audio, the Stealth Pro II comes with 60mm Eclipse dual drivers with dedicated woofers and tweeters and Dolby Atmos support for three-dimensional audio. For noise management, the Stealth Pro II features Active Noise Cancellation using four internal microphones. Voice capture is handled by a 9mm unidirectional boom microphone with AI noise reduction, supplemented by integrated beamforming microphones for use when the boom arm is detached.

Power is provided by two swappable 40-hour battery packs, for a total of 80 hours of runtime. The chassis is constructed from anodised aluminium and soft-touch materials, featuring memory foam ear cushions and a mesh fabric suspension headband. Software customisation is available through the Swarm II companion app, which offers a 10-band audio EQ and microphone sensitivity adjustments. The product includes a hard carrying case and is available now for £299.99/$349.99/€349.99.

KitGuru says: Planning on getting a new headset? What do you think of the new Turtle Beach Stealth Pro II?

ASUS isn’t short on gaming headsets, but the ROG Kithara feels like something a little different. Developed in collaboration with HiFiMan and built around large 100mm planar magnetic drivers, it aims to blur the line between traditional gaming headsets and more studio-focused audiophile headphones. Priced at £284.99 in the UK, the Kithara sits firmly in premium territory, promising detailed, spacious sound for both competitive gaming and music listening. Does it justify the price?

Timestamps:

00:00 Intro
01:02 Pricing and key info
01:41 Design first impressions
03:45 Ear cushion, cable info
05:11 Included measurement card
05:34 Headset specs
06:35 Real-world gaming experience
07:11 Music testing
07:40 Driving from an amp/DAC
09:01 Device compatibility
10:33 Mic test
11:40 Closing thoughts

Specifications

• Product Type – 3.5mm headset
• Interface – Wired
• Connector – 3.5mm
• Support Platform
  • PC
  • MAC
  • PlayStation® 4, PlayStation® 5
  • Nintendo Switch
  • iPad, iOS
  • Android
  • Xbox (* Compatible with Xbox consoles via 3.5mm connection)
• Driver Material – Planar Magnetic Driver
• Driver Size – 100 mm
• Headphones Impedance – 16 ohm
• Headphones Frequency Response – 8Hz – 55kHz
• Microphone Sensitivity – -36 dB
• Microphone Frequency Response – 20Hz – 20kHz
• Active Noise Cancellation – No
• Channel – Stereo
• Aura – No
• Foldablility – No
• Weight – 420 g
• Carry bag/box – No
• Extra ear-cushion – Yes
• Color – Black
• Cable
  • 1.8m Dual-3.5mm to Dual-3.5mm Boom Mic Cable
  • 1.8m Dual-3.5mm with 3-in-1 (3.5mm/6.3mm single-ended, 4.4mm balanced) plug cable
• Accessories
  • 1.8m Dual-3.5mm to Dual-3.5mm Boom Mic Cable
  • 1.8m Dual-3.5mm with 3-in-1 (3.5mm/6.3mm single-ended, 4.4mm balanced) plug cable
  • USB-C to Dual-3.5mm Adapter
  • 2 sets of Ear Cushion: 1 x Velour, 1 x Leatherette with Mesh Fabric
  • Frequency Response Measurement Card
  • Warranty Booklet
  • Quick Start Guide

You can buy the ROG Kithara Gaming Headset for £284.99 from Scan HERE.

Pros:

• High quality, detailed audio.
• Great frequency separation.
• Very comfortable.
• Good selection of accessories.
• Clean design.

Cons:

• Weak headband adjustment brackets.
• Needs a DAC/Amp/Audio Interface to get the most from it.

KitGuru says: The ROG Kithara brings great sound quality to a gaming headset.

You may have noticed more podcasters following our long standing tradition of at least two of us using wired headsets on the PC Perspective Podcast.  We do it because we are cranky…

Nacon has turned their signature $70 midrange gaming headphones into a symphonic powerhouse with a new modular design and external audio DAC.

Read full article at https://wccftech.com/review/nacon-r5-max-hd-wired-headphones/

INTRODUCTION

    In the audiophile world, headphones aren’t just playback devices, they’re precision instruments shaped by countless decisions about acoustics, materials, and tuning philosophy. From planar magnetics to dynamic flagships, each design tries to carve out its own corner of the listening experience. It’s a world where small design decisions create big experiential differences, and where enthusiasts chase that elusive blend of resolution, musicality, and long‑term comfort. Into that environment comes aune’s SR7000, a dynamic headphone positioned as a disciplined, engineering‑first entry.

    In 2004, shared passion and a common pursuit brought together a group of seasoned audio enthusiasts with profound expertise in audio engineering. Over two decades, we've been dedicated to creating high-quality audio products including DACs, digital transports, players, amps, clocks, speakers, and headphones. The logo of aune was inspired by the concept of Yin-Yang - the Chinese philosophy of balance. The rounded design of the letters conveys a message of peace and gentleness. The openings on four sides indicate inclusiveness.

    The aune SR7000 is a closed-back, over-ear headphone built around a specially developed 50mm dynamic driver with a w-shaped ceramic polymer composite diaphragm, copper-clad (CCAW) aluminum coil, high-grade NdFeB magnet and dragon scale acoustic prism. The SR7000 offers a wide frequency response of 5Hz–44.5kHz, 106dB sensitivity, and 55Ω impedance, delivering strong dynamics with low distortion across genres. Its ergonomic structure stands out through a suspension‑style headband paired with an adjustable stainless‑steel frame, a somewhat a rare combination that offers both the floating comfort of a suspension system and the fine‑tuning flexibility of a traditional headband. The earcups are mounted with generous freedom of movement, allowing them to naturally conform to different head shapes while maintaining a consistent acoustic seal. Memory‑foam leather earpads, a reinforced spring‑steel core, and a detachable 1.5 meter long high‑purity copper cable round out the design.

SPECIFICATIONS AND FEATURES

PACKAGING AND CONTENTS

As always, the front of the box is taken by a large product picture, company logo, and in this case also the Hi-Res and VGP logos.

At the rear of the box we find the main product features, specifications table in two languages and contact information for aune.

After you remove the exterior cover, you’ll see a black box with the company name on it.

Typically, since this is a model that comes with a carrying/storage case the entire bundle is safely placed in it.

Contained inside the box are the AuNest carrying/storage case, SR7000 headphones, 1.5 meter long OFC TRS cable, 1 meter long OCC 4.4mm balanced cable, 3.5mm to 6.3mm adapter and the quick start guide.

THE SR7000

The aune SR7000 weigh 380g and are primarily made by aluminum, plastic and faux leather.

In terms of size this is a big model.

Even though the SR7000 is a closed back model the exterior of the earcups seems to be partially perforated.

Aside the suspension system the SR7000 also feature adjustable length sides.

The 3.5mm ports are as expected located at the base of each earcup.

Aside having large to very large plush earpads the SR7000 also features tilted drivers for improved reproduction and expanded soundstage.

Above you can see a picture of the driver inside the earcups (marketing material).

The earcups of the SR7000 have a good range of motion so I see no problems here.

Left and right markings are printed on the interior, just over the earcups.

SR stands for Sea Reference Series (top of the line series by aune) and that’s exactly what aune has printed on the exterior of the suspension headpad.

This is one of the only times I've seen a suspension system that also expands on both sides (up to 70mm total via 10 increments).

As with similar models every single jack is gold plated.

High‑purity copper cables is something we usually see with high-end IEMs but I am certainly not complaining.

Having seen countless storage/carrying cases I have to admit that the AuNest is among the three best ones.

Of course, it has more than enough room for the SR7000 and their bundle.

Once again, I am using the FiiO R9 and M15 music players to test the headphones in my hands today (among other devices).

CONCLUSION

    What stays with you after time with the SR7000 is its sense of calm confidence. The SR7000 is a closed‑back that behaves uncannily like an open‑back, delivering an airy, spacious presentation with precise imaging and a natural sense of openness that certainly surprised me. Trebles are accurate and refined (yet not harsh), mids feel lifelike and bass is clearly balanced for the best overall results (could be more rich/punchy however). The craftsmanship reinforces that mood while thanks to the comfort of the suspension system it encourages hours of uninterrupted listening. The earcups may not swivel as dramatically as some other designs (usually by smaller models), but they settle comfortably (regardless of head size) and maintain a stable seal thus making the overall experience feel cohesive and intentional. One other thing I did notice is that the SR7000 by aune require as much power as for example the i5 by Fossi Audio to drive them so do keep that in mind if you don’t own a strong enough source.

    Right now, the aune SR7000 closed back headphones retail for USD499 inside the USA (Amazon.com) and for around 599Euros inside the EU thus narrowing down their target audience. Cost aside however the SR7000 deliver on everything from audio accuracy and wide soundstage to comfort and a bundle we don’t see a lot so the Golden Award is in order.

PROS

- Good Build Quality
- Audio Signature (Across The Board)
- Wide & Accurate Soundstage
- Suspension & Slider Adjustment System (Comfort)
- Balanced 4.4mm High Purity Copper & Single Ended 3.5mm Cables
- AuNest Carrying / Storage Case

CONS

- Size (For Some)
- Bass Levels (Could Be Richer)
- Price (For Some)

INTRODUCTION

    In the audiophile world, headphones aren’t just playback devices, they’re precision instruments shaped by countless decisions about acoustics, materials, and tuning philosophy. From planar magnetics to dynamic flagships, each design tries to carve out its own corner of the listening experience. It’s a world where small design decisions create big experiential differences, and where enthusiasts chase that elusive blend of resolution, musicality, and long‑term comfort. Into that environment comes aune’s SR7000, a dynamic headphone positioned as a disciplined, engineering‑first entry.

    In 2004, shared passion and a common pursuit brought together a group of seasoned audio enthusiasts with profound expertise in audio engineering. Over two decades, we've been dedicated to creating high-quality audio products including DACs, digital transports, players, amps, clocks, speakers, and headphones. The logo of aune was inspired by the concept of Yin-Yang - the Chinese philosophy of balance. The rounded design of the letters conveys a message of peace and gentleness. The openings on four sides indicate inclusiveness.

    The aune SR7000 is a closed-back, over-ear headphone built around a specially developed 50mm dynamic driver with a w-shaped ceramic polymer composite diaphragm, copper-clad (CCAW) aluminum coil, high-grade NdFeB magnet and dragon scale acoustic prism. The SR7000 offers a wide frequency response of 5Hz–44.5kHz, 106dB sensitivity, and 55Ω impedance, delivering strong dynamics with low distortion across genres. Its ergonomic structure stands out through a suspension‑style headband paired with an adjustable stainless‑steel frame, a somewhat a rare combination that offers both the floating comfort of a suspension system and the fine‑tuning flexibility of a traditional headband. The earcups are mounted with generous freedom of movement, allowing them to naturally conform to different head shapes while maintaining a consistent acoustic seal. Memory‑foam leather earpads, a reinforced spring‑steel core, and a detachable 1.5 meter long high‑purity copper cable round out the design.

SPECIFICATIONS AND FEATURES

PACKAGING AND CONTENTS

As always, the front of the box is taken by a large product picture, company logo, and in this case also the Hi-Res and VGP logos.

At the rear of the box we find the main product features, specifications table in two languages and contact information for aune.

After you remove the exterior cover, you’ll see a black box with the company name on it.

Typically, since this is a model that comes with a carrying/storage case the entire bundle is safely placed in it.

Contained inside the box are the AuNest carrying/storage case, SR7000 headphones, 1.5 meter long OFC TRS cable, 1 meter long OCC 4.4mm balanced cable, 3.5mm to 6.3mm adapter and the quick start guide.

THE SR7000

The aune SR7000 weigh 380g and are primarily made by aluminum, plastic and faux leather.

In terms of size this is a big model.

Even though the SR7000 is a closed back model the exterior of the earcups seems to be partially perforated.

Aside the suspension system the SR7000 also feature adjustable length sides.

The 3.5mm ports are as expected located at the base of each earcup.

Aside having large to very large plush earpads the SR7000 also features tilted drivers for improved reproduction and expanded soundstage.

Above you can see a picture of the driver inside the earcups (marketing material).

The earcups of the SR7000 have a good range of motion so I see no problems here.

Left and right markings are printed on the interior, just over the earcups.

SR stands for Sea Reference Series (top of the line series by aune) and that’s exactly what aune has printed on the exterior of the suspension headpad.

This is one of the only times I've seen a suspension system that also expands on both sides (up to 70mm total via 10 increments).

As with similar models every single jack is gold plated.

High‑purity copper cables is something we usually see with high-end IEMs but I am certainly not complaining.

Having seen countless storage/carrying cases I have to admit that the AuNest is among the three best ones.

Of course, it has more than enough room for the SR7000 and their bundle.

Once again, I am using the FiiO R9 and M15 music players to test the headphones in my hands today (among other devices).

CONCLUSION

    What stays with you after time with the SR7000 is its sense of calm confidence. The SR7000 is a closed‑back that behaves uncannily like an open‑back, delivering an airy, spacious presentation with precise imaging and a natural sense of openness that certainly surprised me. Trebles are accurate and refined (yet not harsh), mids feel lifelike and bass is clearly balanced for the best overall results (could be more rich/punchy however). The craftsmanship reinforces that mood while thanks to the comfort of the suspension system it encourages hours of uninterrupted listening. The earcups may not swivel as dramatically as some other designs (usually by smaller models), but they settle comfortably (regardless of head size) and maintain a stable seal thus making the overall experience feel cohesive and intentional. One other thing I did notice is that the SR7000 by aune require as much power as for example the i5 by Fossi Audio to drive them so do keep that in mind if you don’t own a strong enough source.

    Right now, the aune SR7000 closed back headphones retail for USD499 inside the USA (Amazon.com) and for around 599Euros inside the EU thus narrowing down their target audience. Cost aside however the SR7000 deliver on everything from audio accuracy and wide soundstage to comfort and a bundle we don’t see a lot so the Golden Award is in order.

PROS

- Good Build Quality
- Audio Signature (Across The Board)
- Wide & Accurate Soundstage
- Suspension & Slider Adjustment System (Comfort)
- Balanced 4.4mm High Purity Copper & Single Ended 3.5mm Cables
- AuNest Carrying / Storage Case

CONS

- Size (For Some)
- Bass Levels (Could Be Richer)
- Price (For Some)

INTRODUCTION

    In the audiophile world, headphones aren’t just playback devices, they’re precision instruments shaped by countless decisions about acoustics, materials, and tuning philosophy. From planar magnetics to dynamic flagships, each design tries to carve out its own corner of the listening experience. It’s a world where small design decisions create big experiential differences, and where enthusiasts chase that elusive blend of resolution, musicality, and long‑term comfort. Into that environment comes aune’s SR7000, a dynamic headphone positioned as a disciplined, engineering‑first entry.

    In 2004, shared passion and a common pursuit brought together a group of seasoned audio enthusiasts with profound expertise in audio engineering. Over two decades, we've been dedicated to creating high-quality audio products including DACs, digital transports, players, amps, clocks, speakers, and headphones. The logo of aune was inspired by the concept of Yin-Yang - the Chinese philosophy of balance. The rounded design of the letters conveys a message of peace and gentleness. The openings on four sides indicate inclusiveness.

    The aune SR7000 is a closed-back, over-ear headphone built around a specially developed 50mm dynamic driver with a w-shaped ceramic polymer composite diaphragm, copper-clad (CCAW) aluminum coil, high-grade NdFeB magnet and dragon scale acoustic prism. The SR7000 offers a wide frequency response of 5Hz–44.5kHz, 106dB sensitivity, and 55Ω impedance, delivering strong dynamics with low distortion across genres. Its ergonomic structure stands out through a suspension‑style headband paired with an adjustable stainless‑steel frame, a somewhat a rare combination that offers both the floating comfort of a suspension system and the fine‑tuning flexibility of a traditional headband. The earcups are mounted with generous freedom of movement, allowing them to naturally conform to different head shapes while maintaining a consistent acoustic seal. Memory‑foam leather earpads, a reinforced spring‑steel core, and a detachable 1.5 meter long high‑purity copper cable round out the design.

SPECIFICATIONS AND FEATURES

PACKAGING AND CONTENTS

As always, the front of the box is taken by a large product picture, company logo, and in this case also the Hi-Res and VGP logos.

At the rear of the box we find the main product features, specifications table in two languages and contact information for aune.

After you remove the exterior cover, you’ll see a black box with the company name on it.

Typically, since this is a model that comes with a carrying/storage case the entire bundle is safely placed in it.

Contained inside the box are the AuNest carrying/storage case, SR7000 headphones, 1.5 meter long OFC TRS cable, 1 meter long OCC 4.4mm balanced cable, 3.5mm to 6.3mm adapter and the quick start guide.

THE SR7000

The aune SR7000 weigh 380g and are primarily made by aluminum, plastic and faux leather.

In terms of size this is a big model.

Even though the SR7000 is a closed back model the exterior of the earcups seems to be partially perforated.

Aside the suspension system the SR7000 also feature adjustable length sides.

The 3.5mm ports are as expected located at the base of each earcup.

Aside having large to very large plush earpads the SR7000 also features tilted drivers for improved reproduction and expanded soundstage.

Above you can see a picture of the driver inside the earcups (marketing material).

The earcups of the SR7000 have a good range of motion so I see no problems here.

Left and right markings are printed on the interior, just over the earcups.

SR stands for Sea Reference Series (top of the line series by aune) and that’s exactly what aune has printed on the exterior of the suspension headpad.

This is one of the only times I've seen a suspension system that also expands on both sides (up to 70mm total via 10 increments).

As with similar models every single jack is gold plated.

High‑purity copper cables is something we usually see with high-end IEMs but I am certainly not complaining.

Having seen countless storage/carrying cases I have to admit that the AuNest is among the three best ones.

Of course, it has more than enough room for the SR7000 and their bundle.

Once again, I am using the FiiO R9 and M15 music players to test the headphones in my hands today (among other devices).

CONCLUSION

    What stays with you after time with the SR7000 is its sense of calm confidence. The SR7000 is a closed‑back that behaves uncannily like an open‑back, delivering an airy, spacious presentation with precise imaging and a natural sense of openness that certainly surprised me. Trebles are accurate and refined (yet not harsh), mids feel lifelike and bass is clearly balanced for the best overall results (could be more rich/punchy however). The craftsmanship reinforces that mood while thanks to the comfort of the suspension system it encourages hours of uninterrupted listening. The earcups may not swivel as dramatically as some other designs (usually by smaller models), but they settle comfortably (regardless of head size) and maintain a stable seal thus making the overall experience feel cohesive and intentional. One other thing I did notice is that the SR7000 by aune require as much power as for example the i5 by Fossi Audio to drive them so do keep that in mind if you don’t own a strong enough source.

    Right now, the aune SR7000 closed back headphones retail for USD499 inside the USA (Amazon.com) and for around 599Euros inside the EU thus narrowing down their target audience. Cost aside however the SR7000 deliver on everything from audio accuracy and wide soundstage to comfort and a bundle we don’t see a lot so the Golden Award is in order.

PROS

- Good Build Quality
- Audio Signature (Across The Board)
- Wide & Accurate Soundstage
- Suspension & Slider Adjustment System (Comfort)
- Balanced 4.4mm High Purity Copper & Single Ended 3.5mm Cables
- AuNest Carrying / Storage Case

CONS

- Size (For Some)
- Bass Levels (Could Be Richer)
- Price (For Some)

INTRODUCTION

    Monitor‑grade headphones sit at an interesting crossroads in the audio world. On one hand, they’re engineered as precision tools, built to reveal balance, expose flaws, and deliver the kind of accuracy that studio work depends on. On the other, the rise of high‑resolution streaming and enthusiast listening has pulled these same designs into the hands of consumers who want a more honest, unfiltered connection to their music. This dual identity has reshaped the category, headphones must now satisfy engineers who demand neutrality while also appealing to listeners who appreciate detail, openness, and a more revealing sound signature. Few models manage to walk that line gracefully, and even fewer become long‑term references. Today, we’re looking at one of the rare headphones that has earned trust in studios while becoming a favorite among detail‑hungry audiophiles, the Beyerdynamic DT 1990 PRO MKII.

    Since 1924, beyerdynamic has stood for first-class, professional audio products that delight discerning customers around the world. The majority of the product lines are handmade at the Heilbronn site. In the product areas “Creator”, “Gamer”, “Work & Learn” and “Enjoyment - Music lovers”, beyerdynamic offers headphones, headsets, microphones, gaming, and home office products. They all have one thing in common: pristine sound. This has always carried the company across the emotional stages of the world, through the inspiring studios of the cities and into the ears and hearts of the people.

    Beyerdynamic’s DT 1990 PRO MKII builds on the company’s studio heritage with a premium open‑back, circumaural design built around the improved TESLA.45 driver, now optimized at 30Ohm for broader device compatibility without sacrificing resolution. The headphones deliver a wide 5Hz–40kHz frequency response and a 94dB SPL nominal sensitivity, giving them the headroom and precision expected from a monitor‑class tool. The construction remains unmistakably Beyerdynamic, a rugged spring‑steel headband, soft circumaural pads, and a redesigned headband pad with a fontanelle recess for reduced pressure during long sessions. The MKII continues the single‑sided mini‑XLR connection system and includes both a 3 meter long straight and 5-meter-long coiled cable, each terminating in a 3‑pin XLR to 6.35mm plug. True to its dual‑use philosophy, the MKII ships with two distinct ear‑pad sets, a “producing” set with a slight bass lift and a “mixing & mastering” set tuned for linearity, allowing users to tailor the headphone’s response to their workflow. At 376g without cable and manufactured entirely in Germany, the DT 1990 PRO MKII maintains the brand’s reputation for durability, precision, and studio‑grade craftsmanship.

SPECIFICATIONS AND FEATURES

PACKAGING AND CONTENTS

Just like with past models The DT 1990 PRO MKII arrived inside a small box that has a small product picture at the front along with the company logo and country of manufacture.

Contact details for beyerdynamic are once again available on a sticker at the rear.

Once you open the box, you'll see a hard carrying/storage case in which beyerdynamic has placed the entire bundle.

Inside the hard carrying/storage case you'll find the DT 1990 PRO MKII, 3 meter long 3.5mm straight detachable cable, 5 meter long 3.5mm coiled detachable cable, two 6.35mm gold-plated jack adapters, set of extra soft earpads and the quick start guide.

THE DT 1990 PRO MKII

At 376g the DT 1990 PRO MKII are as heavy as the DT 1770 PRO MKII and share similar build quality.

Size is also roughly the same with the DT 1990 PRO MKII being medium to large.

Since the DT 1990 PRO MKII are open back studio headphones the exterior of the earcups is perforated.

The company name and logo are printed on both ends of the headband.

Typically, at the base of the left earcup we find the single 3pin mini XLR connector.

Left and right markings along with company information are printed on both ends of the interior.

The velour earpads are quite large and very comfortable so they should cover most people.

The faux leather dressed headpad features a fontanelle recess for maximum comfort.

The headband extends on both sides by 40mm (80mm total) via 11 increments (8 visible ones).

On the exterior of the headpad beyerdynamic has once again placed their logo.

Beyerdynamic uses the same 322g heavy hard carrying/storage case (hardcase pro) with the DT 1990 PRO MKII that measures 21cm in length, 18cm in width and 12cm in thickness.

Once again, this hard case is large enough to store both the headset and its bundle.

This time over beyerdynamic bundles two different pairs of earpads, "producing" velours which are fitted as standard and "mixing & mastering" velours (both are showcased above).

All jacks in this bundle are gold plated.

As usual for my review, I've used a large number of devices including the M15, M23 and R9 music players by FiiO.

CONCLUSION

    The DT 1990 PRO MKII leaves the impression of a headphone that’s grown into itself. It keeps the honesty and resolution that engineers depend on, but the rougher edges have been softened just enough to make it more approachable. The treble is clearer and more disciplined without being sharp, the midrange sits more naturally, and the overall balance feels easier to trust across different genres. Detail is still abundant, imaging is still laser‑precise, and the sense of openness remains a defining trait. Add in the comfort tweaks, the durable build, and the genuinely useful pad options, and you end up with a headphone that fits comfortably into both professional and personal listening spaces. It’s still unmistakably a DT 1990, just one that’s learned how to be a little more forgiving without “losing” its voice.

    Right now, the DT 1990 PRO MKII by beyerdynamic retail for USD699.99 inside the USA (Amazon.com) and for 562.03Euros inside the EU (Amazon.de) and so just like their predecessor their target audience is quite specific. At the end of the day the DT 1990 PRO MKII (meant for mixing and mastering) is basically the open back version of the DT 1770 PRO MKII (meant for recording, monitoring and editing tasks) and since it’s just as good (slightly better for me to be honest) the Golden Award is in order.

PROS

- Near Excellent Build Quality
- Balanced Audio Signature
- Comfortable
- 3m & 5m Long Detachable Cables (With 6.35mm Adapter)
- Hard Carrying / Storage Case
- Open Back Design (Expanded Soundstage)

CONS

- Open Back Design (Lack Of Noise Isolation)
- Price (For Some)

INTRODUCTION

    Monitor‑grade headphones sit at an interesting crossroads in the audio world. On one hand, they’re engineered as precision tools, built to reveal balance, expose flaws, and deliver the kind of accuracy that studio work depends on. On the other, the rise of high‑resolution streaming and enthusiast listening has pulled these same designs into the hands of consumers who want a more honest, unfiltered connection to their music. This dual identity has reshaped the category, headphones must now satisfy engineers who demand neutrality while also appealing to listeners who appreciate detail, openness, and a more revealing sound signature. Few models manage to walk that line gracefully, and even fewer become long‑term references. Today, we’re looking at one of the rare headphones that has earned trust in studios while becoming a favorite among detail‑hungry audiophiles, the Beyerdynamic DT 1990 PRO MKII.

    Since 1924, beyerdynamic has stood for first-class, professional audio products that delight discerning customers around the world. The majority of the product lines are handmade at the Heilbronn site. In the product areas “Creator”, “Gamer”, “Work & Learn” and “Enjoyment - Music lovers”, beyerdynamic offers headphones, headsets, microphones, gaming, and home office products. They all have one thing in common: pristine sound. This has always carried the company across the emotional stages of the world, through the inspiring studios of the cities and into the ears and hearts of the people.

    Beyerdynamic’s DT 1990 PRO MKII builds on the company’s studio heritage with a premium open‑back, circumaural design built around the improved TESLA.45 driver, now optimized at 30Ohm for broader device compatibility without sacrificing resolution. The headphones deliver a wide 5Hz–40kHz frequency response and a 94dB SPL nominal sensitivity, giving them the headroom and precision expected from a monitor‑class tool. The construction remains unmistakably Beyerdynamic, a rugged spring‑steel headband, soft circumaural pads, and a redesigned headband pad with a fontanelle recess for reduced pressure during long sessions. The MKII continues the single‑sided mini‑XLR connection system and includes both a 3 meter long straight and 5-meter-long coiled cable, each terminating in a 3‑pin XLR to 6.35mm plug. True to its dual‑use philosophy, the MKII ships with two distinct ear‑pad sets, a “producing” set with a slight bass lift and a “mixing & mastering” set tuned for linearity, allowing users to tailor the headphone’s response to their workflow. At 376g without cable and manufactured entirely in Germany, the DT 1990 PRO MKII maintains the brand’s reputation for durability, precision, and studio‑grade craftsmanship.

SPECIFICATIONS AND FEATURES

PACKAGING AND CONTENTS

Just like with past models The DT 1990 PRO MKII arrived inside a small box that has a small product picture at the front along with the company logo and country of manufacture.

Contact details for beyerdynamic are once again available on a sticker at the rear.

Once you open the box, you'll see a hard carrying/storage case in which beyerdynamic has placed the entire bundle.

Inside the hard carrying/storage case you'll find the DT 1990 PRO MKII, 3 meter long 3.5mm straight detachable cable, 5 meter long 3.5mm coiled detachable cable, two 6.35mm gold-plated jack adapters, set of extra soft earpads and the quick start guide.

THE DT 1990 PRO MKII

At 376g the DT 1990 PRO MKII are as heavy as the DT 1770 PRO MKII and share similar build quality.

Size is also roughly the same with the DT 1990 PRO MKII being medium to large.

Since the DT 1990 PRO MKII are open back studio headphones the exterior of the earcups is perforated.

The company name and logo are printed on both ends of the headband.

Typically, at the base of the left earcup we find the single 3pin mini XLR connector.

Left and right markings along with company information are printed on both ends of the interior.

The velour earpads are quite large and very comfortable so they should cover most people.

The faux leather dressed headpad features a fontanelle recess for maximum comfort.

The headband extends on both sides by 40mm (80mm total) via 11 increments (8 visible ones).

On the exterior of the headpad beyerdynamic has once again placed their logo.

Beyerdynamic uses the same 322g heavy hard carrying/storage case (hardcase pro) with the DT 1990 PRO MKII that measures 21cm in length, 18cm in width and 12cm in thickness.

Once again, this hard case is large enough to store both the headset and its bundle.

This time over beyerdynamic bundles two different pairs of earpads, "producing" velours which are fitted as standard and "mixing & mastering" velours (both are showcased above).

All jacks in this bundle are gold plated.

As usual for my review, I've used a large number of devices including the M15, M23 and R9 music players by FiiO.

CONCLUSION

    The DT 1990 PRO MKII leaves the impression of a headphone that’s grown into itself. It keeps the honesty and resolution that engineers depend on, but the rougher edges have been softened just enough to make it more approachable. The treble is clearer and more disciplined without being sharp, the midrange sits more naturally, and the overall balance feels easier to trust across different genres. Detail is still abundant, imaging is still laser‑precise, and the sense of openness remains a defining trait. Add in the comfort tweaks, the durable build, and the genuinely useful pad options, and you end up with a headphone that fits comfortably into both professional and personal listening spaces. It’s still unmistakably a DT 1990, just one that’s learned how to be a little more forgiving without “losing” its voice.

    Right now, the DT 1990 PRO MKII by beyerdynamic retail for USD699.99 inside the USA (Amazon.com) and for 562.03Euros inside the EU (Amazon.de) and so just like their predecessor their target audience is quite specific. At the end of the day the DT 1990 PRO MKII (meant for mixing and mastering) is basically the open back version of the DT 1770 PRO MKII (meant for recording, monitoring and editing tasks) and since it’s just as good (slightly better for me to be honest) the Golden Award is in order.

PROS

- Near Excellent Build Quality
- Balanced Audio Signature
- Comfortable
- 3m & 5m Long Detachable Cables (With 6.35mm Adapter)
- Hard Carrying / Storage Case
- Open Back Design (Expanded Soundstage)

CONS

- Open Back Design (Lack Of Noise Isolation)
- Price (For Some)

INTRODUCTION

    Monitor‑grade headphones sit at an interesting crossroads in the audio world. On one hand, they’re engineered as precision tools, built to reveal balance, expose flaws, and deliver the kind of accuracy that studio work depends on. On the other, the rise of high‑resolution streaming and enthusiast listening has pulled these same designs into the hands of consumers who want a more honest, unfiltered connection to their music. This dual identity has reshaped the category, headphones must now satisfy engineers who demand neutrality while also appealing to listeners who appreciate detail, openness, and a more revealing sound signature. Few models manage to walk that line gracefully, and even fewer become long‑term references. Today, we’re looking at one of the rare headphones that has earned trust in studios while becoming a favorite among detail‑hungry audiophiles, the Beyerdynamic DT 1990 PRO MKII.

    Since 1924, beyerdynamic has stood for first-class, professional audio products that delight discerning customers around the world. The majority of the product lines are handmade at the Heilbronn site. In the product areas “Creator”, “Gamer”, “Work & Learn” and “Enjoyment - Music lovers”, beyerdynamic offers headphones, headsets, microphones, gaming, and home office products. They all have one thing in common: pristine sound. This has always carried the company across the emotional stages of the world, through the inspiring studios of the cities and into the ears and hearts of the people.

    Beyerdynamic’s DT 1990 PRO MKII builds on the company’s studio heritage with a premium open‑back, circumaural design built around the improved TESLA.45 driver, now optimized at 30Ohm for broader device compatibility without sacrificing resolution. The headphones deliver a wide 5Hz–40kHz frequency response and a 94dB SPL nominal sensitivity, giving them the headroom and precision expected from a monitor‑class tool. The construction remains unmistakably Beyerdynamic, a rugged spring‑steel headband, soft circumaural pads, and a redesigned headband pad with a fontanelle recess for reduced pressure during long sessions. The MKII continues the single‑sided mini‑XLR connection system and includes both a 3 meter long straight and 5-meter-long coiled cable, each terminating in a 3‑pin XLR to 6.35mm plug. True to its dual‑use philosophy, the MKII ships with two distinct ear‑pad sets, a “producing” set with a slight bass lift and a “mixing & mastering” set tuned for linearity, allowing users to tailor the headphone’s response to their workflow. At 376g without cable and manufactured entirely in Germany, the DT 1990 PRO MKII maintains the brand’s reputation for durability, precision, and studio‑grade craftsmanship.

SPECIFICATIONS AND FEATURES

PACKAGING AND CONTENTS

Just like with past models The DT 1990 PRO MKII arrived inside a small box that has a small product picture at the front along with the company logo and country of manufacture.

Contact details for beyerdynamic are once again available on a sticker at the rear.

Once you open the box, you'll see a hard carrying/storage case in which beyerdynamic has placed the entire bundle.

Inside the hard carrying/storage case you'll find the DT 1990 PRO MKII, 3 meter long 3.5mm straight detachable cable, 5 meter long 3.5mm coiled detachable cable, two 6.35mm gold-plated jack adapters, set of extra soft earpads and the quick start guide.

THE DT 1990 PRO MKII

At 376g the DT 1990 PRO MKII are as heavy as the DT 1770 PRO MKII and share similar build quality.

Size is also roughly the same with the DT 1990 PRO MKII being medium to large.

Since the DT 1990 PRO MKII are open back studio headphones the exterior of the earcups is perforated.

The company name and logo are printed on both ends of the headband.

Typically, at the base of the left earcup we find the single 3pin mini XLR connector.

Left and right markings along with company information are printed on both ends of the interior.

The velour earpads are quite large and very comfortable so they should cover most people.

The faux leather dressed headpad features a fontanelle recess for maximum comfort.

The headband extends on both sides by 40mm (80mm total) via 11 increments (8 visible ones).

On the exterior of the headpad beyerdynamic has once again placed their logo.

Beyerdynamic uses the same 322g heavy hard carrying/storage case (hardcase pro) with the DT 1990 PRO MKII that measures 21cm in length, 18cm in width and 12cm in thickness.

Once again, this hard case is large enough to store both the headset and its bundle.

This time over beyerdynamic bundles two different pairs of earpads, "producing" velours which are fitted as standard and "mixing & mastering" velours (both are showcased above).

All jacks in this bundle are gold plated.

As usual for my review, I've used a large number of devices including the M15, M23 and R9 music players by FiiO.

CONCLUSION

    The DT 1990 PRO MKII leaves the impression of a headphone that’s grown into itself. It keeps the honesty and resolution that engineers depend on, but the rougher edges have been softened just enough to make it more approachable. The treble is clearer and more disciplined without being sharp, the midrange sits more naturally, and the overall balance feels easier to trust across different genres. Detail is still abundant, imaging is still laser‑precise, and the sense of openness remains a defining trait. Add in the comfort tweaks, the durable build, and the genuinely useful pad options, and you end up with a headphone that fits comfortably into both professional and personal listening spaces. It’s still unmistakably a DT 1990, just one that’s learned how to be a little more forgiving without “losing” its voice.

    Right now, the DT 1990 PRO MKII by beyerdynamic retail for USD699.99 inside the USA (Amazon.com) and for 562.03Euros inside the EU (Amazon.de) and so just like their predecessor their target audience is quite specific. At the end of the day the DT 1990 PRO MKII (meant for mixing and mastering) is basically the open back version of the DT 1770 PRO MKII (meant for recording, monitoring and editing tasks) and since it’s just as good (slightly better for me to be honest) the Golden Award is in order.

PROS

- Near Excellent Build Quality
- Balanced Audio Signature
- Comfortable
- 3m & 5m Long Detachable Cables (With 6.35mm Adapter)
- Hard Carrying / Storage Case
- Open Back Design (Expanded Soundstage)

CONS

- Open Back Design (Lack Of Noise Isolation)
- Price (For Some)

The Mchose V9 Turbo enters the highly competitive £100 wireless gaming headset market with some bold hardware features. Boasting a clever magnetic charging dock, seamless 2.4GHz and Bluetooth connectivity, and a battery that refuses to die, it looks like a fantastic all-in-one package on paper. But can it deliver a balanced experience, or will it compromise where it matters most?

Timestamps:

00:00 Intro
00:59 Build Quality, Materials and Controls
02:07 Weight and Shape
02:42 Charging on the Dock
03:07 Battery Life
04:13 Dock and RGB
04:38 The App and files
05:40 Firmware update for English
06:06 Virtual Surround
06:59 AI Noise reduction
08:19 Equaliser settings and audio
10:05 Gamer 1 Profile and tweaks
11:41 Gaming Audio Experience
13:38 Carlos' closing thoughts

Specifications:

• Driver Type & Size: 60mm Composite Diaphragm Driver.
• Connection Modes: Wireless 2.4GHz / BT Wireless / Wireless Type-C / Wired.
• Battery: 2000mAh.
• Weight: Approx. 320g (excluding microphone) 330g (with microphone)
• Charging Base: RGB Magnetic Charging Base Station.
• Ear Cushions: Ice-Cooling Protein Leather (Replacement fabric ear cups included).
• Microphone: Detachable AI Noise-Canceling Microphone with 360° Voice Pickup.
• Software & Features: MCHOSE M HUB (7.1 Virtual Surround Sound, Custom EQ Modes, Battery Display).
• Compatible Platforms: PC / Laptop / PS5 / PS4 / Switch / Mobile / Tablet.

Closing Thoughts

The Mchose V9 Turbo is a headset that gets the physical hardware incredibly right, but stumbles on the execution of what makes a headphone great. On the positive side, the magnetic charging dock is brilliant – simply dropping the headphones into place via the volume knob cutout is effortless. Comfort is great, especially when using the included fabric pads, and the battery life is pretty solid.

There is definitely a software bug that makes the battery report a solid 100% life remaining even after 75 hours of active use, but with the convenient charging station I see no use-case where battery will be a concern. The 2.4GHz wireless latency is also spot-on for gaming which is always a must for any wireless headsets.

Unfortunately, the audio experience lets it down. The sound profile feels small, thin, and shouty, severely lacking in low-end energy and sporting recessed mid-frequencies. It is a fatiguing listen for both music and gaming. Even with tools like Equalizer APO, you are fighting against the built-in DSP, making it hard to find an enjoyable tuning, let alone if you just stick with the built-in equalizer on the Mchose app.

The microphone is equally only OK, delivering a muffled, highly compressed sound that easily picks up keyboard noise, requiring noise reduction that further makes it muffled and compressed.

I also spotted some software quirks that could be easily addressed, such as stealthy background processes even when closed, a max 45-minute auto-power-off timer that given the convenient dock setup could have offered a off setting, and a blinding green LED on the dongle.

For £100, I would personally prefer moving to a £20-30 set of IEMs and an external USB microphone on a boom arm, but if you need flawless wireless and are ok with compromising on sound quality, these are worth considering.

You can buy the Mchose V9 Turbo for around £100 HERE.

Pros:

• Brilliant magnetic charging dock makes top-ups effortless.
• Strong battery life that lasts for weeks.
• Excellent 2.4GHz wireless performance with consistently low latency.
• Comfortable fit, especially with the included fabric earpads.

Cons:

• Audio is thin and a little fatiguing thanks to poor mid/low-end energy.
• Muffled, highly compressed microphone with unimpressive clarity.
• Some annoying software quirks (always on bright green dongle LED, background running processes, battery percentage reporting is broken).

KitGuru says: The Mchose V9 Turbo nails the wireless experience, but it is ultimately let down by fatiguing audio and an only OK microphone.